
Portfolio

After Fregio Mecano, variation 8A
2024
Monoprint mounted on panel
6 × 6"

After Fregio Mecano, variation 8B
2024
Monoprint mounted on panel
6 × 6"

After Fregio Mecano, variation 8C
2024
Monoprint mounted on panel
6 × 6"

After Fregio Mecano, variation 8D
2024
Monoprint mounted on panel
6 × 6"

After Fregio Mecano, variation 8E
2024
Monoprint mounted on panel
6 × 6"

After Fregio Mecano, variation 8F
2024
Monoprint mounted on panel
6 × 6"

After Fregio Mecano, variation 8G
2024
Monoprint mounted on panel
6 × 6"

After Fregio Mecano, variation 8H
2024
Monoprint mounted on panel
6 × 6"

After Fregio Mecano, variation 8I
2024
Monoprint mounted on panel
6 × 6"

After Fregio Mecano, variation 8J
2024
Monoprint mounted on panel
6 × 6"

After Fregio Mecano, variation 8K
2024
Monoprint mounted on panel
6 × 6"

After Fregio Mecano, variation 8L
2024
Monoprint mounted on panel
6 × 6"

After Fregio Mecano, variation 7A
2024
Monoprint mounted on panel
10 × 10"

After Fregio Mecano, variation 7B
2024
Monoprint mounted on panel
10 × 10"

After Fregio Mecano, variation 7C
2024
Monoprint mounted on panel
10 × 10"

After Fregio Mecano, variation 7D
2024
Monoprint mounted on panel
10 × 10"

After Fregio Mecano, variation 7E
2024
Monoprint mounted on panel
10 × 10"

After Fregio Mecano, variation 7F
2024
Monoprint mounted on panel
10 × 10"

After Fregio Mecano, variation 7G
2024
Monoprint mounted on panel
10 × 10"

After Fregio Mecano, variation 7H
2024
Monoprint mounted on panel
10 × 10"

After Fregio Mecano, variation 7I
2024
Monoprint mounted on panel
10 × 10"

After Fregio Mecano, variation 3A
2024
Monoprint mounted on panel
10 × 10"

After Fregio Mecano, variation 3B
2024
Monoprint mounted on panel
10 × 10"

After Fregio Mecano, variation 3C
2024
Monoprint mounted on panel
10 × 10"

After Fregio Mecano, variation 3D
2024
Monoprint mounted on panel
10 × 10"

After Fregio Mecano, variation 3E
2024
Monoprint mounted on panel
10 × 10"

After Fregio Mecano, variation 3F
2024
Monoprint mounted on panel
10 × 10"

After Fregio Mecano, variation 3G
2024
Monoprint mounted on panel
10 × 10"

After Fregio Mecano, variation 3H
2024
Monoprint mounted on panel
10 × 10"

After Fregio Mecano, variation 3I
2024
Monoprint mounted on panel
10 × 10"

After Fregio Mecano, variation 2A
2024
Monoprint mounted on panel
6 × 6"

After Fregio Mecano, variation 2B
2024
Monoprint mounted on panel
6 × 6"

After Fregio Mecano, variation 2C
2024
Monoprint mounted on panel
6 × 6"

Fregio Mecano 1
2024
Monoprint
15 × 15"

Fregio Mecano 2
2024
Monoprint
15 × 15"

Fregio Mecano 3
2024
Monoprint
15 × 15"

Fregio Mecano 4
2024
Monoprint
15 × 15"

Fregio Mecano 5
2024
Monoprint
15 × 15"

Fregio Mecano 6
2024
Monoprint
15 × 15"

Fregio Mecano 7
2024
Monoprint
15 × 15"

Fregio Mecano 8
2024
Monoprint
15 × 15"

Fregio Mecano 9
2024
Monoprint
15 × 15"

“Gradient 16”
2017
Relief and monoprint
20 × 15"
For the Uncertainty Principle exchange curated and organized by Lenore Thomas and Sean Morrissey.

“Gradient 16” (detail)
2017
Relief and monoprint
20 × 15"
For the Uncertainty Principle exchange curated and organized by Lenore Thomas and Sean Morrissey.

“Gradient 15”
2017
Relief and monoprint
20 × 15"
This is a variation of a piece I made in collaboration with Murray State University Art & Design in 2015. I redesigned, remade and reprinted new blocks.

“Gradient 15” (detail)
2017
Relief and monoprint
20 × 15"
This is a variation of a piece I made in collaboration with Murray State University Art & Design in 2015. I redesigned, remade and reprinted new blocks.

“Gradient 14”
2015
Relief and monoprint
20 × 16"
Made in collaboration with Murray State University Art & Design

“Gradient 14” (detail)
2015
Relief and monoprint
20 × 16"
Made in collaboration with Murray State University Art & Design

“Panoramic”
2016
Relief and monoprint
15 × 18"
For the Visual Elegy project, in which artists were invited to reinterpret Appalachian Elegy, a poetry collection by bell hooks. The project was curated and organized by Nicole Hand.

“Panoramic” (detail)
2016
Relief and monoprint
15 × 18"
For the Visual Elegy project, in which artists were invited to reinterpret Appalachian Elegy, a poetry collection by bell hooks. The project was curated and organized by Nicole Hand.

“Invisible Cities”
2016
Relief and monoprint
8 × 8"
For the Invisible Cities project, in which artists contributed a folio page for a collaborative leporello book on the theme of Le citta invisibili by Italo Calvino. The project was organized by Karen Kunc for Constellation Studios

“Invisible Cities”
2016
Relief and monoprint
8 × 8"
For the Invisible Cities project, in which artists contributed a folio page for a collaborative leporello book on the theme of Le citta invisibili by Italo Calvino. The project was organized by Karen Kunc for Constellation Studios.

“Gradient 5”
2015
Relief and monoprint
15 × 11"
Completed with the University of Arkansas Printmaking

“Gradient 6”
2015
Relief and monoprint
15 × 11"
Completed with the University of Arkansas Printmaking

“Gradient 7”
2015
Relief and monoprint
15 × 11"
Completed with the University of Arkansas Printmaking

“Gradient 8”
2015
Relief, monoprint and collage
15 × 11"
Initiated in collaboration with University of Arkansas Printmaking

“Gradient 8” (detail)
2015
Relief, monoprint and collage
15 × 11"
Initiated in collaboration with University of Arkansas Printmaking

“Gradient 10”
2015
Relief, monoprint and collage
15 × 11"
Initiated in collaboration with University of Arkansas Printmaking

“Gradient 11”
2015
Relief, monoprint and collage
11 × 11"
Initiated in collaboration with University of Arkansas Printmaking

“Gradient 12”
2015
Relief, monoprint and collage
11 × 11"
Initiated in collaboration with University of Arkansas Printmaking

“Gradient 12” (detail)
2015
Relief, monoprint and collage
11 × 11"
Initiated in collaboration with University of Arkansas Printmaking

“Gradient 13”
2015
Relief, monoprint and collage
11 × 11"
Initiated in collaboration with University of Arkansas Printmaking

“Gradient 13” (detail)
2015
Relief, monoprint and collage
11 × 11"
Initiated in collaboration with University of Arkansas Printmaking

“Gradient 1”
2015
Monoprint and collage
15 × 11"

“Gradient 2”
2015
Monoprint and collage
15 × 11"

“Gradient 3”
2015
Monoprint and collage
15 × 11"

Process
2015
Process photo

“Halftone 1”
2015
Relief, monotype, monoprint and collage
15 × 11"

“Halftone 2”
2015
Relief, monotype, monoprint and collage
15 × 11"

“Halftone 3”
2015
Relief, monotype, monoprint and collage
15 × 11"

“Halftone 4”
2015
Relief, monotype, monoprint and collage
15 × 11"

“Halftone 5”
2015
Relief, monoprint and collage
15 × 11"

“Halftone 5” (detail)
2015
Relief, monoprint and collage
15 × 11"

“Lines 5”
2015
Monotype, monoprint and collage
15 × 11"

“Lines 6”
2015
Monotype, monoprint and collage
15 × 11"

“Lines 7”
2015
Monotype, monoprint and collage
15 × 11"

“Lines 8”
2015
Monotype, monoprint and collage
15 × 11"

“Lines 8” (detail)
2015
Monotype, monoprint and collage
15 × 11"

“Lines 8” (detail)
2015
Monotype, monoprint and collage
15 × 11"

“Lines 8” (detail)
2015
Monotype, monoprint and collage
15 × 11"

“Lines 1”
2014
Monotype and monoprint
15 × 11"

“Lines 2”
2015
Relief, monotype, monoprint and collage
15 × 11"

Process
2015
Process photo showing layers of laser- and hand-cut collage

Process
2015
Process photo

Process
2015
Process photo

Process
2014
Process photo

Process
2014
Process photo

Process
2014
Process photo

Process
2014
Process photo

Process
2014
Process photo

Process
2014
Process photo

“Herbarium XX: Revised”
Intaglio (with photo-etch)
18 × 14"
I revised a piece for an exchange portfolio. Curated by Emily Arthur and Ruthann Godollei, the original project is entitled Wondrous Transformation and Peculiar Nourishment: Celebrating the Engravings of Maria Sibylla Merian.

“Herbarium XX: Revised” (detail)
Intaglio (with photo-etch)
18 × 14"
I revised a piece for an exchange portfolio. Curated by Emily Arthur and Ruthann Godollei, the original project is entitled Wondrous Transformation and Peculiar Nourishment: Celebrating the Engravings of Maria Sibylla Merian.

“Herbarium XX: Lupinus Texensis”
2016
Intaglio (with photo-etch)
18 × 14"
For an exchange portfolio curated by Emily Arthur and Ruthann Godollei entitled Wondrous Transformation and Peculiar Nourishment: Celebrating the Engravings of Maria Sibylla Merian.

Installation for UNT’s Art in Public Places Program
2013
Plotter-cut vinyl, 4 x 25.25'
Relief prints, 25 x 25" each
Boardroom, Hurley Administration Building, University of North Texas, Denton, Texas

Installation for UNT’s Art in Public Places Program (detail)
2013
Plotter-cut vinyl, 4 x 25.25'
Boardroom, Hurley Administration Building, University of North Texas, Denton, Texas

Installation for UNT’s Art in Public Places Program (detail)
2013
Relief prints, 25 x 25" each
Boardroom, Hurley Administration Building, University of North Texas, Denton, Texas

Information panel for UNT’s Art in Public Places Program
2013
Boardroom, Hurley Administration Building, University of North Texas, Denton, Texas
Design by David Radabaugh

Solo exhibition detail showing Herbarium series
2011
Shircliff Gallery, Vincennes University, Vincennes, Indiana
Photography by Morgan Ford Willingham

“Herbarium IV: Phoradenron”
2011
Intaglio (with photo-etch), relief, chine collé
12.25 x 10.5"

“Herbarium XIX”
2011
Intaglio, relief, chine collé
10.75 × 8"

“Herbarium XVIII”
2011
Intaglio, relief, chine collé
11 × 7.75"

“Herbarium XVII”
2011
Intaglio, relief, chine collé
11 × 8"

“Herbarium XIV”
2011
Intaglio, relief, chine collé
11.25 × 8"

“Herbarium VII”
2011
Intaglio, relief, chine collé
11 × 8"

“Herbarium V”
2011
Intaglio, relief, chine collé
11 × 8"

“Herbarium III”
2010
Photo-etch, aquatint, photopolymer relief, chine collé
9 × 7"

“Herbarium II”
2010
Mezzotint, photo-etch, aquatint, photopolymer relief, chine collé
11 × 8"

“Herbarium I”
2010
Mezzotint, photo-etch, aquatint, photopolymer relief, chine collé
11 × 8"

“Traces 1”
2013
Letterpress
7.5 × 6"
Made possible by Penland’s Winter Letterpress Residency Program and University of North Texas Faculty Research Grant

“Traces 2”
2013
Letterpress
7.5 × 6"
Made possible by Penland’s Winter Letterpress Residency Program and University of North Texas Faculty Research Grant

“Traces 03”
2013
Letterpress
7.5 × 6"
Made possible by Penland’s Winter Letterpress Residency Program and University of North Texas Faculty Research Grant

“Traces 4”
2013
Letterpress
7.5 × 6"
Made possible by Penland’s Winter Letterpress Residency Program and University of North Texas Faculty Research Grant

“Traces 5”
2013
Letterpress
7.5 × 6"
Made possible by Penland’s Winter Letterpress Residency Program and University of North Texas Faculty Research Grant

“Traces 6”
2013
Letterpress
7.5 × 6"
Made possible by Penland’s Winter Letterpress Residency Program and University of North Texas Faculty Research Grant

“Traces 07”
2013
Letterpress
7.5 × 6"
Made possible by Penland’s Winter Letterpress Residency Program and University of North Texas Faculty Research Grant

“Traces 8”
2013
Letterpress
7.5 × 6"
Made possible by Penland’s Winter Letterpress Residency Program and University of North Texas Faculty Research Grant

“Traces 17”
2013
Letterpress
7.5 × 6"
Made possible by Penland’s Winter Letterpress Residency Program and University of North Texas Faculty Research Grant

“Traces 18”
2013
Letterpress
7.5 × 6"
Made possible by Penland’s Winter Letterpress Residency Program and University of North Texas Faculty Research Grant

“Traces 19”
2013
Letterpress
7.5 × 6"
Made possible by Penland’s Winter Letterpress Residency Program and University of North Texas Faculty Research Grant

“Traces 20”
2013
Letterpress
7.5 × 6"
Made possible by Penland’s Winter Letterpress Residency Program and University of North Texas Faculty Research Grant

Gallery installation
2013
University of North Florida Gallery at the Museum of Contemporary Art, Jacksonville, Florida

Gallery installation
2013
University of North Florida Gallery at the Museum of Contemporary Art, Jacksonville, Florida

Gallery installation
2013
University of North Florida Gallery at the Museum of Contemporary Art, Jacksonville, Florida

Gallery installation
2013
University of North Florida Gallery at the Museum of Contemporary Art, Jacksonville, Florida

Hand-printing carved blocks
Print Research Institute of North Texas (PRINT Press), Denton, Texas

Hand-printing carved blocks
PRINT Press, Denton, Texas






























































































































